With a handful of wood-burning projects under my belt already, I tackled yet another cutting board for a wedding present. RJ's cousin was getting married and she was doing a fishing theme, something I thought totally made sense for a cutting board.
I found a fairly large sized board with an interesting wood grain, the kind with a groove cut into it for catching juices while carving. Even if they wouldn't be physically using the board, it seemed particularly fitting. As for what I was going to burn into it, I imagined an underwater scene, with some seaweed and coral, and of course, the initials of the couple.
So, I got to work sketching various images out and laying out the tableau of the little underwater world. When I finished, I was very happy with the fishes I had selected and types of coral I had incorporated. Thin lines and bulbs of the seaweed were nicely contrasted with the larger pieces of coral. And I had even found a really cool little jellyfish to toss into the background.
But I noticed a few flaws. Since I started with the fishes, then the background, and finally ended with the initials, I ended up squishing the "M" and "N" where they wouldn't interfere with the fish... which meant that they were off center and looked like the after-thought that they were.
Also, being used to working in portrait view with most drawing projects, I had done the same with this board, and missed out on utilizing the amazing wood grain lines that had attracted me to the board to begin with.
I was suddenly discouraged. Was it worth redoing all my work to redraw the entire board and turning the composition horizontal? I debated it for several nights and finally decided that I wouldn't be happy with the final project if I went ahead and burned it and didn't do it "right". So I took up my eraser and started all over again.
It was a painful, and getting rid of pencil lines is always a chore that I hate having to do. Sometimes they never fully go away unless you take a bit of sandpaper to the wood which I really didn't want to do to this board. But in the end, it was totally worth it.
The wood grain running horizontally brought to mind the lines of the ocean and used the space of the board much more effectively. Additionally, the initials were back in the center of the board where they could take the focus of the eye like they should.
Since I had started the board, sat on it in debate, wiped it, and started over, I was hitting my deadline on completing the board a tad too close. With more time I would have made the burn of the initials and the shading on everything just a little bit heavier than where they ended up. But rethinking the orientation was completely worth it and left me with a project that I was much happier with than I would have been otherwise.
I found a fairly large sized board with an interesting wood grain, the kind with a groove cut into it for catching juices while carving. Even if they wouldn't be physically using the board, it seemed particularly fitting. As for what I was going to burn into it, I imagined an underwater scene, with some seaweed and coral, and of course, the initials of the couple.
So, I got to work sketching various images out and laying out the tableau of the little underwater world. When I finished, I was very happy with the fishes I had selected and types of coral I had incorporated. Thin lines and bulbs of the seaweed were nicely contrasted with the larger pieces of coral. And I had even found a really cool little jellyfish to toss into the background.
But I noticed a few flaws. Since I started with the fishes, then the background, and finally ended with the initials, I ended up squishing the "M" and "N" where they wouldn't interfere with the fish... which meant that they were off center and looked like the after-thought that they were.
Also, being used to working in portrait view with most drawing projects, I had done the same with this board, and missed out on utilizing the amazing wood grain lines that had attracted me to the board to begin with.
I was suddenly discouraged. Was it worth redoing all my work to redraw the entire board and turning the composition horizontal? I debated it for several nights and finally decided that I wouldn't be happy with the final project if I went ahead and burned it and didn't do it "right". So I took up my eraser and started all over again.
It was a painful, and getting rid of pencil lines is always a chore that I hate having to do. Sometimes they never fully go away unless you take a bit of sandpaper to the wood which I really didn't want to do to this board. But in the end, it was totally worth it.
The wood grain running horizontally brought to mind the lines of the ocean and used the space of the board much more effectively. Additionally, the initials were back in the center of the board where they could take the focus of the eye like they should.
Since I had started the board, sat on it in debate, wiped it, and started over, I was hitting my deadline on completing the board a tad too close. With more time I would have made the burn of the initials and the shading on everything just a little bit heavier than where they ended up. But rethinking the orientation was completely worth it and left me with a project that I was much happier with than I would have been otherwise.

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